Stitch Samplers

These were all so much fun to make! I love pulling them out now and then to look at and think what else could be done. They're a great chance to test out the needles and creativity. What I've made is only a start for what can be done.

I go through them all in my second book of embroidery. I've made the introduction to the book available.  Give them a try and see what you can come up with!!

Crewel Crazy

I can't help it, the wool is beautiful to feel and see. My "new" book came in the mail this week:

It's 50 years old, but it's easily the best book on crewel embroidery that I have seen so far. It's not a pattern book and only some of the pictures are color. But it doesn't matter, there is history, design ideas, stitch instructions, and lots of inspiration. She was a prolific embroiderer and designer. Her love of all things embroidery really shows through in both this book and her other Book of Embroidery. They are both worth owning. I found my copies on Amazon in the used books tab.

One thing I don't understand why she and her editor included in the book is a very strong attack on people encouraging embroiderers to learn to draw and design their own work. Learning to draw, anyone can do. I'll come back to this another time, but I taught myself to draw just last year with the help of Drawing on the Right Side of the Brain. I have a lot to say about this - but it will wait a little. As for good design, it IS a matter of practice. Good designers are good because they put hour after hour in, and they go a step beyond just the time, they push themselves to do it better and differently every time they start a new design. However, she is absolutely correct that there is nothing wrong with being inspired by beautiful historic examples. I would go farther though and say all designers are influenced and inspired by others around them. All ideas come from somewhere, the good designer or artist will see something new in those ideas and take them farther, putting their individual interpretation and expression into their work. I also agree with that no matter the source of the design, each of us as an embroiderer has the opportunity to make our own  personal, artistic interpretation of the design through the use of color and stitch. (It's the main point of my embroidery book and I do plan to expand on this idea in the next book!)

I have been uncertain what to do with my small crewel projects. But her book gave me the thought to sew them together. Maybe a wall hanging or even a bed spread if I do enough of them. I laid them all out to see how they might look together:

The answer is they look great.  (Ooops, just noticed that the bee is upside down!!)  A little photo does not do them justice. They each have their own color and feeling but none of that is diminished when seen as a group. The wool makes it easy. Now I have a little birdie here sitting waiting to join the group. Better get busy!!

Stitches are like brush strokes

I've worked hard on this, but now it's finally completed. It isn't a project, but instead my first book of embroidery, and I just have to say something about it here.

This is my first book, so I start at the beginning. My main theme throughout the book is that embroidery is an artform and for us, the stitches are our brush strokes. We can learn to use them, just as an artist would to achieve different effects. However, we must learn to use those brushes through practicing the stitches and seeing the possibilities each one offers us. I start with 10 basic stitches, not just how to form them, but ideas of how they can be varied and used in projects. There are suggested exercises for each one to help get you started. Then there are 7 patterns included for you to work with.  The book is 42 pages plus the patterns with many photos from my embroideries. In short, I don't just tell you how to make a bunch of stitches, but rather the goal is to show you some of the possibilities and get you thinking in a different way.

This book is a beginning but not just for beginners, but for all of us seeking to make our work more personal. We all have a different viewpoint, let this come across as you choose stitches to incorporate into your work. And remember, the main thing about art is that it is an expression from within by the artist, so take the time to learn the media and techniques to help you increase that expression.

It took me 8 months of on and off again work to put this together. In that time my ideas had time to grow and develop, and in some ways, this book is almost like a journal (although it isn't written like one). I've been a stitcher and an embroiderer for awhile now - I'm not a "beginner", but as I came to the conclusion of this project, I realized that I really am just a beginner, there is so much more to do and learn.  Now it's time to get going and really start stitching!!!